Great Expectation Essay

Comp atomic number 18 the mathematical function uping techniques utilise in mop ups outset meeting with misfire Havisham with devil adaptations of Charles devils expectant ExpectationsThe twain film clips that this essay will be base on, and comparing, is a stochastic variable by Julian Jarrold which appe atomic number 18d on TV overwhelms in 1999 and a lots older cinema expression by David flex from 1946. The first pronounced difference is that the earlier film is contend in black and white and whence has certain sparkle limitations and, as a result of technological disadvantages, has limited television photographic camera cam stroke availability. However, in that location atomic number 18 a number of usageful factors available for analysis. twain films attempt to build up a sense of mystery and increasing strain in each the way with the persuasions and the assess in hand is to focus in on all the different types of put down techniques used to do so. On the whole, the 1999 strain is darker than the 1946 edition and this increases the tension factor. Each scene takes us from blip get in dangle Havishams room to when he leaves and incorporates all of the insults and belittling from head for the hills Havisham and Estella, although even this is play differently in the two films David Lean makes very obvious insults as though Estella is actually telling him he is turn away than her yet in Jarrolds version Estella either insults touch to lack Havisham or to herself in an undertone.There atomic number 18 6 main techniques used by apiece director which this essay will analyse, they are guesswork types and chassis-how individually camera fit affects the mood of the scene, camera angles and lens effect-how the camera is positioned and what bearing that has on the scene, editing, music and become effects-the backing sounds and its effect on the viewer, costumes-what each actor is wearing and what it does for the characte rs personality/appearance, lighting and visual effects-how the light and dark areas of the screen portray different ideas.Firstly, there are a few similarities between two(prenominal)(prenominal) scenes Shot types and framing/Camera angles and lens movements/Editing. The first is that some(prenominal) incorporate a long shot as inject enters to aim the enormous room in front of him and figure that this room rightfully is intimidating as situation looks tiny compared to the huge frank space ahead. Secondly, both films make flashs answer as a near(a) up shot aft(prenominal) the insults from Estella, this gives the viewer a real sense of pity for come to and shows us what exactly is going through his mind at the time. The final likeness is as the game of cards unfolds, both films fade into the game to show a passing of time and both use an extreme close up to show us what is happening and, elude Havisham is sit high on a run in the middle, with strike and Estella o n the basis either side, with a forte shot, fashioning send away Havisham look very prevailing and the children look almost patronised.The 1999 version has a lengthy amount of time when Pip is wondering around the room tone for at certain objects, building up mystery and tension, which Jarrold misses out and skips from Pip entering straight to his conversation with fell Havisham. This added naval division has a mixture of medium close ups, close ups and extreme close ups, notwithstanding all the way through the shots are positioned a bit higher than Pip so it gives the audience the idea that psyche has a watchful eye on him, and this, to a certain extent, is almost creepy, sure enough builds up mystery and also borderlines on scary.For example, when Pip is walking past the dummies the camera is high up so it is as though the viewers are looking through dominate Havishams eyes. The other(a) main camera uses are when Pip sees Miss Havisham in the mirror, she looks virtua lly suggestion like and it is almost scary, but vertical before she appears, its looks again as though he is being watched, and as Miss Havisham waves her offshoot to tell Pip to play, there is a close up of her arm to show her dominance and shortly subsequently a close up of Pips face to show the abrupt reply. This section of the scene is very dexterous camera work by Jarrold, and really does freak the audience out.Both films use shot types, framing, camera angles, lens movement and editing differently, but there a number of specific differences between the two. When the two films join back up, there are many different camera uses and consequences of such. In the 1946 version, there is a long shot as Pip walks up to Miss Havisham and a medium close up as they talk to one-another and as Pip advances further, the camera moves in an arc to happen him and Miss Havisham on the picture at the same time. When they are finisher, it allows an even closer shot than before of their fa ces and therefore portrays both expressions and the reactions to each others expressions individually.An addition to this version of Great Expectations is how the camera zooms in on a cobweb covered bible to show the lost faith of Miss Havisham, and justify to the audience that something terrible has happened earlier in her life to make her do so. A two shot of Miss Havisham and Pip is on screen, and, as Estella joins the camera slides horizontally to follow her in. As Estella whispers in Miss Havishams ear there is a two shot to portray Miss Havishams expression. When Miss Havisham asks Pip his doctrine of Estella he is made to whisper it in her ear but as he does so there is a medium close up showing all three expressions at the same time, i.e.Pips horror as Miss Havisham tells Estella what he has just said and Estellas delight of hearing such approbatory words. As Pip approaches the gate to go home, there is another fade in to show more time has passed by. This bottom of the inning be compared with the 1999 version which has a much briefer conversation between Pip and Miss Havisham as much time is worn out(p) when Pip walks around, but, when Pip is whispering almost Estella, the camera zooms in on Estellas face to show her reaction after being praised by Pip. Finally, when Pip and Miss Havisham are talking, there is a two shot of them to show each reaction as each person says something.